From the «misery of existing in intervals»: Music and silence in the poetry of Jorge de Sena

Authors

  • Luciana Salles Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.53943/ELCV.0219_05

Keywords:

Jorge de Sena, Poetry, Music, Silence

Abstract

The present article intends to suggest a reading of musical language as a semiotic presupposition in the construction of Jorge de Sena’s poetics.

References

Barthes, R. (1990). O óbvio e o obtuso: Ensaios críticos III. (Trad. de Léa Novaes). Nova Fronteira. Rio de Janeiro

Bataille, G. (1987). O erotismo. (Trad. de António Carlos Viana). L&PM. Porto Alegre

Didi-Huberman, G. (2005). Gestes d’air et de pierre: Corps, parole, souffle, image. Les Éditions de Minuit. Paris

Lévi-Strauss, C. (1997). Olhar escutar ler. (Trad. de Beatriz Perrone-Moisés). Companhia das Letras. São Paulo

Pound, E. (1990). ABC da literatura. Cultrix. São Paulo

Sena, J. de. (1988). Poesia II. Edições 70. Lisboa

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Published

2019-12-16

Issue

No. 3 (2019): Ten Faces of Sena: Reading clues of the work of Jorge de Sena, marking the centenary of his birth

Section

Articles

License

Copyright (c) 2019 e-Letras Com(n)Vida

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